Rameau. Opera arias for soprano

Opera Platée - Aux langueurs d'Apollon Daphne se réfusa
Opera Dardanus - Quand l'aquilon fougueux (prologue)
Opera Anacreon - Tendre amour (scene 3)
Opera Les Indes Galantes - Feuillages verts naissez
Opera Les Indes Galantes - Regnez

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Jean-Baptiste Lully and Louis 14th

Our story begins in Grande siecle, the era of France's heyday, era of absolute monarchy. It all started in 1653, when 21 years old Jean-Baptiste Lully met Louis 14th. Together, the future Great King of France and the Great Composer, danced in Ballet Royal de la nuit, which was staged in honor of the King's victory over the Fronde. In this ballet Louis 14th played the role of the Sun and Jean-Baptiste had three roles: the beggar, soldier and one of Three Graces. This meeting was a beginning of the long and close partnership, which continued 30 years. Louis 14th greatly appreciated Lully and the composer was devoted to His Majesty; Lully loved the King and next 30 years he would do his best for serving to the greatness of the King. Two months later after Ballet Royal de la nuit, Louis 14th appointed Jean-Baptiste to the post of chamber music composer and in spite of the modesty of this position, it was a great start for Lully’s career. Following the memories of Lul

Lully. Opera arias for soprano

1. Acis & Galatée - Qu'une injuste fierté (Chaconne) (act 2, scene 5) 2. Amadis - Toi, qui dans ce tombeau, aria of Arcabonne (act 3, scene 3) 3. Amadis - Que vois-je ! Ô spectacle effroyable? - Oriane's aria (act 4, scene 4) 4. Armide - Enfin, il es en ma puissance. Armida's aria (act 2, scene 5) 5. Atys - Espoir si cher et si doux (act 3, scene 8) 6. Cadmus et Hermione. Hermione's aria from act 2, scene 5 Author: Alisia Holainen

Music History. Vocal music

Madrigal Madrigal (it. Madrigale from Latin matricale ). Form of vocal chamber music, the number of voices varies from two to eight, and most frequently from three to six; the musical form reflecting the structure of the poem. Usually, the main subject of madrigal is love story. Madrigal was really popular during Renaissance period. Motet Motet (French motet from Latin motetus ) - style of vocal composition with polyphonic structure. Typically, it is a Latin religious choral composition, yet it can be a secular composition or a work for soloist and instrumental accompaniment, in any language, with or without a choir. Chanson Chanson - French song of Medieval and Renaissance period. Usually, it was written for one solois and one instrument. Almost all chansons were written in Rondo, ballad or virelai form. Main subject - courtly love. Chanson was favourite genre of troubadours in 13 - 14th century. Organum Organum is an early Medieval form of plainsong, or plainc

Musique de Cour

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