Skip to main content

The Queen's theater | Petit Théâtre de la Reine

Once upon a time not so far from Versailles there was a village called Trianon. It was bought by Louis 14th, when he started his great project - Château de Versailles. Thus in 1668 village of Trianon disappeared becoming the lands of Versailles gardens.

In the end not all the lands have moved for the gardens, so on the remaining territories were founded Grand and Petit Trianon.

It is very well known that Marie-Antoinette was not fond of palace etiquette and she used every opportunity trying to avoid following it.

The queen made her own place, where the etiquette was not matter. With the small group of particularly close courtiers Marie-Antoinette spent her time in Trianon; there she created a small village with the gardens and farm. All of these were just for fun, it was a temporary outlet in an endless set of rules that must be strictly followed in Versailles.

Marie-Antoinette was a big fan of art and she had a big love for the theater, so in 1776 in Trianon possessions, next to the old greenhouse, was founded temporary stage (unfortunately, it did not survive until the present). Stationary theater of Trianon opened his doors on July 1st, 1780. Not really big, lovely, accommodating only 230 spectators, the theater played two roles at the same time: to give a job for the musicians from Royal Music Academy and to give the opportunity to the queen to perform on the stage herself.

The very first piece on Trianon theater stage was The King and the Shepherdess, where Marie-Antoinette played the role of shepherdess Jenny. By the way, it is in Trianon theater Giovanni Paisiello opera The Barber of Seville (Il barbiere di Siviglia, ovvero La precauzione inutile) had her debut in France.

Nowadays the Queen’s theater is in a perfect condition, all the mechanisms work good, but they don’t use it, because according to French government decision, Trianon theatre must be preserved in its original form.

Author: Alisia Holainen

All the photos are taken from my own archive (except one)

Comments

Popular posts from this blog

Jean-Baptiste Lully and Louis 14th

Our story begins in Grande siecle, the era of France's heyday, era of absolute monarchy. It all started in 1653, when 21 years old Jean-Baptiste Lully met Louis 14th. Together, the future Great King of France and the Great Composer, danced in Ballet Royal de la nuit, which was staged in honor of the King's victory over the Fronde. In this ballet Louis 14th played the role of the Sun and Jean-Baptiste had three roles: the beggar, soldier and one of Three Graces. This meeting was a beginning of the long and close partnership, which continued 30 years. Louis 14th greatly appreciated Lully and the composer was devoted to His Majesty; Lully loved the King and next 30 years he would do his best for serving to the greatness of the King. Two months later after Ballet Royal de la nuit, Louis 14th appointed Jean-Baptiste to the post of chamber music composer and in spite of the modesty of this position, it was a great start for Lully’s career. Following the memories of Lul

Lully. Opera arias for soprano

1. Acis & Galatée - Qu'une injuste fierté (Chaconne) (act 2, scene 5) 2. Amadis - Toi, qui dans ce tombeau, aria of Arcabonne (act 3, scene 3) 3. Amadis - Que vois-je ! Ô spectacle effroyable? - Oriane's aria (act 4, scene 4) 4. Armide - Enfin, il es en ma puissance. Armida's aria (act 2, scene 5) 5. Atys - Espoir si cher et si doux (act 3, scene 8) 6. Cadmus et Hermione. Hermione's aria from act 2, scene 5 Author: Alisia Holainen

Music History. Vocal music

Madrigal Madrigal (it. Madrigale from Latin matricale ). Form of vocal chamber music, the number of voices varies from two to eight, and most frequently from three to six; the musical form reflecting the structure of the poem. Usually, the main subject of madrigal is love story. Madrigal was really popular during Renaissance period. Motet Motet (French motet from Latin motetus ) - style of vocal composition with polyphonic structure. Typically, it is a Latin religious choral composition, yet it can be a secular composition or a work for soloist and instrumental accompaniment, in any language, with or without a choir. Chanson Chanson - French song of Medieval and Renaissance period. Usually, it was written for one solois and one instrument. Almost all chansons were written in Rondo, ballad or virelai form. Main subject - courtly love. Chanson was favourite genre of troubadours in 13 - 14th century. Organum Organum is an early Medieval form of plainsong, or plainc