Skip to main content

Handel in Ireland

Music of Handel was quite know in Dublin. There, they played some of composer’s compositions, including oratorios and church music. We remember, that the last Handel’s opera Deidamia (premiered - January 10, 1741) - had failed. So, this failure was the main reason why Handel, in 1741, accepted the invitation to make his next concert season in Dublin.

Handel was invited to Dublin by governor-general in Ireland - William Cavendish, 3rd Duke of Devonshire. Lord Cavendish loved Handel’s music, probably, before to invite Maestro to Dublin, he met him many times in London.

Handel left to Ireland around 4th of November and on November 18, composer arrived to Dublin. Irish audience met Maestro with the great enthusiasm. Local newspaper wrote about upcoming Handel’s concerts in pompous phrases, emphasizing that funds from some of the concerts would be used for charity.

***William Cavendish wasn’t only a politician, but also Maecenas and benefactor. He negotiated with the composer about benefit concerts.

Handel’s concerts in Ireland had a great success. The first composition which started the music season in Dublin was oratorio L'Allegro, il Penseroso ed il Moderato (The Cheerful, the Thoughtful, and the Moderate Man). Also to the audience were offered: Acis and Galatea with Ode for St. Cecilia’s Day, oratorio Esther, oratorio Alexander’s Feast and penultimate Handel’s opera - Hymen.

One of the most important event for Handel in Dublin became the premier of his oratorio Messiah, which took a place on April 13, 1742. Initially, following the arrangement, in Handel’s oratorio had to sing two choirs, one of which was the choir of St Patrick’s Cathedral. But Jonathan Swift (dean of St Patrick’s Cathedral), categorically forbade his choir to participate in Handel’s Messiah, although he gave his permission before. Why Swift changed his mind? Well, there could be three reasons:

  • 1) The Dean had very bad taste in music, so understanding nothing, he could not tell how was good Handel’s music;
  • 2) While getting old, he became jealous puritan. It is known that puritans didn’t really like music, theater and other entertainments;
  • 3) After having stroke, Swift couldn’t think clearly.
After all, they managed to persuade Swift and he allowed his choir to sing in Handel’s oratorio.

Handel left Ireland on August 13, 1742, after spending there 10 months. Dublin audience liked composer very much. Also in Ireland Maestro earned a lot of money, although it wasn’t his main goal; he found new friends and admires, including Jonathan Swift, who wasn’t really friendly in the beginning, but finally he was fascinated by the music of Handel.


Author: Alisia Holainen


Comments

Popular posts from this blog

Royal printers. The family of Ballard

Royal printers. The family of Ballard The family of Ballard had a complete monopoly on the printing (publication and distribution) of court music in France. Ballard decided not only for the conception of music collections, but also for the number intended for the public. Ballard family was quite powerful. They jealously guarded their position and they did not tolerate any sort of rivalry, which was almost impossible because they were at the mercy of the King. For sure, first of all Ballard published the music of composers who were serving at the royal court. We can blame Ballard for the fact that it is for this reason many worthy works of less known and non-court composers had not survived, but thanks to Ballard we can have a full view about the court music - what sort of music it was and how it was developing. And something about Robert Ballard Jr. Robert Ballard Jr . was a lute player and composer. He was born in Paris about 1572-1575. In 1612 he entered the service of ...

Jean-Baptiste Lully and Louis 14th

Our story begins in Grande siecle, the era of France's heyday, era of absolute monarchy. It all started in 1653, when 21 years old Jean-Baptiste Lully met Louis 14th. Together, the future Great King of France and the Great Composer, danced in Ballet Royal de la nuit, which was staged in honor of the King's victory over the Fronde. In this ballet Louis 14th played the role of the Sun and Jean-Baptiste had three roles: the beggar, soldier and one of Three Graces. This meeting was a beginning of the long and close partnership, which continued 30 years. Louis 14th greatly appreciated Lully and the composer was devoted to His Majesty; Lully loved the King and next 30 years he would do his best for serving to the greatness of the King. Two months later after Ballet Royal de la nuit, Louis 14th appointed Jean-Baptiste to the post of chamber music composer and in spite of the modesty of this position, it was a great start for Lully’s career. Following the memories of Lul...

Florentine Camerata

Florentine Camerata. The word of music Almost all the encyclopedic articles about Florentine Camerata say that it was a group of poets, philosophers and musicians, who wanted to bring ancient Greek music into the modern, at that time, Italian music. However, if we get deeper, it becomes obvious that Camerata members had no clear notion about what was the real sound of ancient Greek music . Of course, there were some ancient descriptions but it did not give precise explanations. Following these descriptions we can guess next: a) A poet (he is a singer as well) was reading his poem in a singsong manner and accompanied by music b) A singer sang the text in a free rhythm and it was also accompanied by the music (but we should not forget that there was also a choir in Ancient Greece). Italy of 16th century. In music of that time (mainly) polyphony was prevailed. Camerata thought that polyphonic music had no “miracle”, because there was no clear and understandable syllable. Ca...